The Martyr In a first-class stateroom on a cruise ship bound for New York from Alexandria, Egypt, a frail, middle-aged writer and educator named Sayyid Qutb experienced a crisis of faith. "Should I go to America as any normal student on a scholarship, who only eats and sleeps, or should I be special?" he wondered. "Should I hold on to my Islamic beliefs, facing the many sinful temptations, or should I indulge those temptations all around me?" It was November 1948. The new world loomed over the horizon, victorious, rich, and free. Behind him was Egypt, in rags and tears. The traveler had never been out of his native country. Nor had he willingly left now.

The stern bachelor was slight and dark, with a high, sloping forehead and a paintbrush moustache somewhat narrower than the width of his nose. His eyes betrayed an imperious and easily slighted nature. He always evoked an air of formality, favoring dark three-piece suits despite the searing Egyptian sun. For a man who held his dignity so close, the prospect of returning to the classroom at the age of forty-two may have seemed demeaning. And yet, as a child from a mud-walled village in Upper Egypt, he had already surpassed the modest goal he had set for himself of becoming a respectable member of the civil service. His literary and social criticism had made him one of his country's most popular writers. It had also earned the fury of King Farouk, Egypt's dissolute monarch, who had signed an order for his arrest. Powerful and sympathetic friends hastily arranged his departure.

At the time, Qutb (his name is pronounced kuh-tub) held a comfortable post as a supervisor in the Ministry of Education. Politically, he was a fervent Egyptian nationalist and anti-communist, a stance that placed him in the mainstream of the vast bureaucratic middle class. The ideas that would give birth to what would be called Islamic fundamentalism were not yet completely formed in his mind; indeed, he would later say that he was not even a very religious man before he began this journey, although he had memorized the Quran by the age of ten, and his writing had recently taken a turn toward more conservative themes. Like many of his compatriots, he was radicalized by the British occupation and contemptuous of the jaded King Farouk's complicity. Egypt was racked by anti-British protests and seditious political factions bent on running the foreign troops out of the country--and perhaps the king as well. What made this unimposing, midlevel government clerk particularly dangerous was his blunt and potent commentary. He had never gotten to the front rank of the contemporary Arab literary scene, a fact that galled him throughout his career; and yet from the government's point of view, he was becoming an annoyingly important enemy.

He was Western in so many ways--his dress, his love of classical music and Hollywood movies. He had read, in translation, the works of Darwin and Einstein, Byron and Shelley, and had immersed himself in French literature, especially Victor Hugo. Even before his journey, however, he worried about the advance of an all-engulfing Western civilization. Despite his erudition, he saw the West as a single cultural entity. The distinctions between capitalism and Marxism, Christianity and Judaism, fascism and democracy were insignificant by comparison with the single great divide in Qutb's mind: Islam and the East on the one side, and the Christian West on the other.

America, however, stood apart from the colonialist adventures that had characterized Europe's relations with the Arab world. America, at the end of the Second World War, straddled the political chasm between the colonizers and the...

"Powerful and important . . . a history of a man and a movement, replete with the accidents of history and historic inevitability."

Lawrence Wright graduated from Tulane University and spent two years teaching at the American University in Cairo, Egypt. He is a staff writer for The New Yorker and a fellow at the Center on Law and Security at New York University School of Law. The author of five works of nonfiction--City Children, Country Summer; In the New World; Saints and Sinners; Remembering Satan; and Twins--he has also written a novel, God's Favorite, and was cowriter of the movie The Siege. He and his wife are longtime residents of Austin, Texas.

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